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Burnett, Frances Hodgson, 1849-1924

"The Shuttle"

There was a small paned, leaded window which filled a
large part of one side of the room, and its deep seat was an agreeable
feature. Sitting in it, one looked out over several red-walled gardens,
and through breaks in the trees of the park to a fair beyond. Bettina
stood before this window for a few moments, and then took a seat in the
embrasure, that she might gaze out and reflect at leisure.
Her genius, as has before been mentioned, was the genius for living,
for being vital. Many people merely exist, are kept alive by others, or
continue to vegetate because the persistent action of normal functions
will allow of their doing no less. Bettina Vanderpoel had lived vividly,
and in the midst of a self-created atmosphere of action from her
first hour. It was not possible for her to be one of the horde of mere
spectators. Wheresoever she moved there was some occult stirring of the
mental, and even physical, air. Her pulses beat too strongly, her blood
ran too fast to allow of inaction of mind or body. When, in passing
through the village, she had seen the broken windows and the hanging
palings of the cottages, it had been inevitable that, at once, she
should, in thought, repair them, set them straight.


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