He
chats with stage lights in their dressing-rooms, and attends a ball in
the Bowery or a supper at Sherry's with a ready versatility. The book,
apart from its intention, really gives the middle classes an excellent
idea of what is called 'high-life.'
"It is some time before Desmond discovers that he possesses the gift of
Paris,--a deliberation proving his lack of conceit,--that wherever he
goes he unwittingly breaks a heart, and sometimes two or three. This
discovery is naturally so painful that he comes home to his chambers and
throws himself on a lounge before his fire in a fit of self-deprecation,
and reflects on a misspent and foolish life. This, mind you, is where
his character starts to develop. And he makes a heroic resolve, not to
cut off his nose or to grow a beard, nor get married, but henceforth to
live a life of usefulness and seclusion, which was certainly considerate.
And furthermore, if by any accident he ever again involved the affections
of another girl he would marry her, be she as ugly as sin or as poor as
poverty. Then the heroine comes in. Her name is Rosamond, which sounds
well and may be euphoniously coupled with Desmond; and, with the single
exception of a boarding-school girl, she is the only young woman he ever
thought of twice. In order to save her and himself he goes away, but the
temptation to write to her overpowers him, and of course she answers his
letter.
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