Only the highest order of genius can represent Nature thus. An inferior
artist produces either something entirely immoral, where good and evil
are names, and nobility of disposition is supposed to show itself in the
absolute disregard of them, or else, if he is a better kind of man, he
will force on Nature a didactic purpose; he composes what are called
moral tales, which may edify the conscience, but only mislead the
intellect.
The finest work of this kind produced in modern times is Lessing's play
of "Nathan the Wise." The object of it is to teach religious toleration.
The doctrine is admirable, the mode in which it is enforced is
interesting; but it has the fatal fault that it is not true. Nature does
not teach religious toleration by any such direct method; and the result
is--no one knew it better than Lessing himself--that the play is not
poetry, but only splendid manufacture. Shakespeare is eternal; Lessing's
"Nathan" will pass away with the mode of thought which gave it birth.
One is based on fact; the other, on human theory about fact. The theory
seems at first sight to contain the most immediate instruction; but it
is not really so.
Pages:
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51