Cibber and others, as you know, wanted to alter Shakespeare. The French
king, in "Lear," was to be got rid of; Cordelia was to marry Edgar, and
Lear himself was to be rewarded for his sufferings by a golden old age.
They could not bear that Hamlet should suffer for the sins of Claudius.
The wicked king was to die, and the wicked mother; and Hamlet and
Ophelia were to make a match of it, and live happily ever after. A
common novelist would have arranged it thus; and you would have had your
comfortable moral that wickedness was fitly punished, and virtue had its
due reward, and all would have been well. But Shakespeare would not have
it so. Shakespeare knew that crime was not so simple in its
consequences, or Providence so paternal. He was contented to take the
truth from life; and the effect upon the mind of the most correct theory
of what life ought to be, compared to the effect of the life itself, is
infinitesimal in comparison.
Again, let us compare the popular historical treatment of remarkable
incidents with Shakespeare's treatment of them. Look at "Macbeth.
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