NARES as hero and Mr. HOLMAN CLARK as matchmaker that this
particular reading prevailed.
Mr. CARPENTER doesn't believe in mystifications. He explains everything
with the completest candour in his first Act, from which you gather that
a millionaire's daughter, returning from Paris to the immense stuffy New
York mansion, is desperately lonely, and has also cut herself free from
an unsatisfactory affair of the heart; that a young poet, a friend
of the millionaire's sentimental lawyer, is also lonely, living like
_Cinderella_ (isn't this wrong?) in an attic next-door, proud as poor;
that another friend of the millionaire has offered a prize for a
libretto. Having thus put the rabbit, the bird-cage and the flowerpot
into the hat in front of you he proceeds in a leisurely manner to take
them out again.
The young millionairess, posing as a poor "companion," visits the
starveling poet _via_ the snow-covered roof and the attic window,
bringing food, stoves, coverlets, wool to mend his socks and ideas to
mend his opera.
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