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Tyler, Royall, 1757-1826

"The Contrast"

Say to her! Why, when a man
goes a-courting, and hopes for success, he must begin
with doing, and not saying.

JONATHAN
Well, what must I do?

JESSAMY
Why, when you are introduced you must make five
or six elegant bows.

JONATHAN
Six elegant bows! I understand that; six, you say?
Well--

JESSAMY
Then you must press and kiss her hand; then press
and kiss, and so on to her lips and cheeks; then talk
as much as you can about hearts, darts, flames, nectar,
and ambrosia--the more incoherent the better.

JONATHAN
Well, but suppose she should be angry with I?

JESSAMY
Why, if she should pretend--please to observe, Mr.
Jonathan--if she should pretend to be offended, you
must-- But I'll tell you how my master acted in
such a case: He was seated by a young lady of eighteen
upon a sofa, plucking with a wanton hand the blooming
sweets of youth and beauty. When the lady thought it
necessary to check his ardour, she called up a frown
upon her lovely face, so irresistibly alluring, that it
would have warmed the frozen bosom of age; remem-
ber, said she, putting her delicate arm upon his, re-
member your character and my honour. My master
instantly dropped upon his knees, with eyes swimming
with love, cheeks glowing with desire, and in the gen-
tlest modulation of voice he said: My dear Caroline, in
a few months our hands will be indissolubly united at
the altar; our hearts I feel are already so; the favours
you now grant as evidence of your affection are
favours indeed; yet, when the ceremony is once past,
what will now be received with rapture will then be
attributed to duty.


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