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Warner, Charles Dudley, 1829-1900

"Fashions in Literature"

--The more violent the attack, the
sooner it is over. Readers of middle age can recall the furor over
Tupper, the extravagant expectations as to the brilliant essayist
Gilfillan, the soon-extinguished hopes of the poet Alexander Smith. For
the moment the world waited in the belief of the rising of new stars, and
as suddenly realized that it had been deceived. Sometimes we like
ruggedness, and again we like things made easy. Within a few years a
distinguished Scotch clergyman made a fortune by diluting a paragraph
written by Saint Paul. It is in our memory how at one time all the boys
tried to write like Macaulay, and then like Carlyle, and then like
Ruskin, and we have lived to see the day when all the girls would like to
write like Heine.
In less than twenty years we have seen wonderful changes in public taste
and in the efforts of writers to meet it or to create it. We saw the
everlastingly revived conflict between realism and romanticism. We saw
the realist run into the naturalist, the naturalist into the animalist,
the psychologist into the sexualist, and the sudden reaction to romance,
in the form of what is called the historic novel, the receipt for which
can be prescribed by any competent pharmacist.


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